Monday, June 5, 2017

Introducing: JOHN ROSEMONTE




"I ain't afraid to be a wanted man."



This credo from John Rosemonte perfectly sums up the attitude behind his uniquely tough brand of music.  Hailing from Phoenix, Arizona, John Rosemonte is poised to burst on to the music scene with his hard as nails "Deathbed Blues."  Combining elements of outlaw country, delta blues, and more, John has created a musical monster that is sure to make waves in the near future.  John was kind enough to let us premier his new track "Down to the River" and even granted us an interview.  Read on to gain some insight on your new favorite singer/songwriter..






Tell me about John Rosemonte.   Introduce yourself to the world.

I'm just a blue collar, working class dude, from North Phoenix. I make Soulful, bluesy, country music for outlaws and outcasts alike.


What is your mission?

My mission is to enrich the lives of the impoverished and imprisoned people of the world. I stand for working class people. My mission is to smash the false dichotomy. I exist to offend the "right" and the "left" equally. From anti-gun right slacktivists, to dickheads who support the drug war, and mass incarceration. My mission is to be me.


What is the DEATHBED BLUES?

Death bed blues is everything. Death bed blues is the combination of my Styles mainly, but it's also my motto. It's the lyric style, the lifestyle, and the eclectic blend of genres that I was raised with. My mother was a traveling gospel singer since the age of 16, my grandpa was a traveling country singer in his younger days, and in the seventies my dad was a DJ, a funk bassist, and a saxophone player; but he spent my whole life playing piano and singing in the church. Growing up with so many different influences, like funk, soul, country, gospel, etc. You end up appreciating all music. That, plus the way that I grew up, is what brought about Deathbed Blues.





When did you start writing these songs?

I started writing these songs in November of 2016.


Who are these songs for?

These songs are for me in a sense, but they are mainly for people like me. People who value their struggle, and the way that it's shaped them. I don't believe in class warfare, my music is for everyone. But I think the people who will relate to it the most are the societal outcasts and modern outlaws of the world.


Who/what are some of your influences?

I was raised around so much music that I basically try to combine a little bit of everything that's remotely similar. From
James Brown to Johnny Cash. Merle Haggard, and Muddy Waters, Anthony Hamilton and Chris Stapleton. Credence Clearwater Revival and Sly and the Family Stone were the two biggest influences from my mom and Dad.


When can we expect a proper release?

By the summer of 2017, deathbed blues will be ready for the world.


Shows?

The goal is to have a grandiose first show, somewhere fancy, by the end of summer or early fall.


If you and Donald Trump were locked in a room together for 1 hour, what would happen? 

Honestly man, as much as I hate the guy, I would have a discussion with him. I'd try to plead with him, and appeal to any empathy he may have. I'd simply do my best to persuade him to do what the people want him to do.


Tell me about the benefits of a lawless society.

Well first, there can be no lawless society. Even the jungle has its rules. In a society without central government, might makes right, just like in the animal kingdom. There will always be a power vacuum.  The beauty of that is that the only masters, are the men you can't defeat. For people like me who have no desire for conquest, we can do whatever we want, with the only worry being our immediate safety. It has inherently more responsibility. But it's the only true form of freedom.

Is there anything you would like to plug?

Catalyst Studio, Paper Crane Films.


Social Media:

FACEBOOK






Saturday, March 4, 2017

Record Review: EASY MONEY - "RULES OF THE GAME"



Artist: Easy Money
Title: Rules of the Game
Label: Beatdown Hardware
Reviewed by: Jeff 


In early 2016, Arizona's Easy Money unleashed their debut record Midas Touch and quickly became one of the most talked about bands in hardcore.  One of the main things that sets them apart from their peers is their blatant disregard for trends and preconceived notions of what hardcore should sound/look like.  This is a band that 100% does their OWN thing and honestly it's quite refreshing.  Thankfully, this continues on Rules of the Game

Much like their debut, Rules of the Game is chock full of groove oriented metallic hardcore that forms the core of the bands sound.   However, Easy Money successfully EXPANDS on that sound this time around by adding elements of grunge and stoner rock to the fray.  A great example of this is the opening track entitled "The Score".   This song starts with a riff that wouldn't sound out of place on a Bulldoze record then immediately transitions into a straight up Black Sabbath/Saviours sounding stoner part directly into a Trapped Under Ice-ish groove part.  This all takes place within the first 35 seconds of the record!  In my opinion, these quick transitions are one of the key ingredients to Easy Money's sound.  Right when you get comfortable, they frequently change things up out of nowhere.  This makes for a fun record that warrants repeated listens.  Another highlight is "Easy Target" which features a guest spot by Eric Hula.  This track continues their newly established stoner rock influence and mixes it with grunge and hardcore in a really cool way.  Additionally, Rules of the Game features some HARD mosh parts that are sure to go over well in a live setting(my favorite is the one that happens at 2:15 during "The Score").

Another enjoyable element of this record is the production quality.  The instruments and vocals are impeccably mixed so they ALL have a big impact on the record.  Oftentimes, hardcore records are recorded/mixed in a way that doesn't properly represent all of the instruments.  This is especially common with newer bands.  Thankfully, Rules of the Game doesn't fall prey to this.  Beyond that, this record is a short enough that it doesn't wear out its welcome.  

VERDICT-  Easy Money pulled out all the stops with Rules of the Game.  They took some risks by adding new elements to their core sound and it paid off.  They did this while still staying true to the sound that propelled them to their current position.  All in all, I would highly recommend checking this record out.  

Top Tracks - THE WHOLE FUCKIN' THING


Saturday, February 25, 2017

Record Review - TTNG - "disappointment island'


Artist: This Town Needs Guns (TTNG)
Title: Disappointment Island
Label: Sargent House Records
Release Date: 7/08/16
Reviewer: Reilly Shazam

"It's best we part, I am broken and no good for you..." TTNG's 2016 release Disappointment Island ends on such a beautifully somber note, a genuine tear-jerker. The closing song on the record "Empty Palms" is a truly captivating meditation on bittersweet nostalgia and growing apart from loved ones. The honesty with which Henry "Hank" Tremain composes lyrics is a perfect compliment to the beautiful and slightly morose instrumentals. This record is a perfect balance of upbeat, poppy, technical, and honest expression. It quickly became my favorite record of 2016. For this article, I'm going to explore the tracks that stick out most to me but I can't stress enough that there are no bad songs on the record.

The album opens with Coconut Crab. It's definitely one of the more fun tracks on the record. The lyrics are deal with the frustration of writers block or feeling a certain futility in writing at all. This slight irony is a fitting start to the record. Dealing with writers block by writing about having writers block. Wait is that ironic or redundant? Or both? It's been a while since ENG-102, so cut me some slack English majors. 

The 3rd track on Disappointment Island, Consoling Ghosts has some of the most interesting vocal melodies and chord changes I've heard in a while. The opening bass chords accompanying the first few vocal lines make for a delightfully peaceful yet somewhat somber atmosphere. When the drums and guitar abruptly kick in, the bass switches roles from lead to support as the guitar and vocal melodies shift and change keys setting an almost uneasy yet strangely soothing mood for the song. Definitely one of my personal favorite tracks on the album. The line "Meet me behind closed eyes..." sticks out to me as a profound expression of missing someone you lost(in the context of the song, specifically lost to suicide). This track is very personal, involved, beautiful, and truly some of TTNG's best work to date.

I could probably talk up the whole record but I think Disappointment Island is best explained by sitting down and listening to the album in its entirety.




Friday, February 17, 2017

Band Spotlight - BLACK SUN



Greetings!  This installment of our Band Spotlight series features Arizona's own BLACK SUN.  BLACK SUN plays a unique brand of darkly melodic alternative/rock and have been actively playing shows for roughly a year.  I typically don't like bands who play this genre but BLACK SUN blew me away with their first recording and I've been a fan since.  This is a great song to check out if you are unfamiliar:



Over the past few months they have shared the stage with HAVE MERCY, SILVER SNAKES, GOLDENGOAT, and more.  These shows in combination with their recordings have garnered them a loyal following for being such a new band.  I reached out to their bassist/vocalist Christopher White and he kindly answered some questions.  Without further adieu:

When did the idea for Black Sun come about?

After my last band had come to an end in 2013, I got this intense wave of motivation and inspiration. I was writing music every day, and needed to do something with it. One night I got an invite to a bonfire, where I was introduced to Tyler by a mutual friend, and things took off from there. He introduced me to Logan, and we clicked immediately. When we started writing, our sounds came together really well.  

When did Black Sun form and who is in the lineup?

We formed in Spring of 2014. Tyler and Logan play guitar, Zack plays drums, I sing and play bass guitar. 


How long did it take for you guys to starting playing shows?

It took us a while to get to that point. We didn't play our first show until January 2016. We are very particular about our sound, and took almost a year to experiment and dial in the sound we were looking for. It also didn't help that I was deployed to the Middle East for most of 2015. That set us back a bit, and I am thankful the guys were willing to put things on hold until I returned. 


Black Sun is a musical departure from your guy's previous bands.  What are some of the influences?

We all came into this band with an open mindset, and tried not to corner ourselves sonically. That is probably my favorite thing about the way we operate. We all come from different musical backgrounds, and are down to entertain a new element or wild idea. Nothing is off limits. The flip side of that is reigning it in and keeping our sound focused. We draw a lot of inspiration from bands like Failure, Hum, O'Brother, as well as our friends in Cloakroom and Silver Snakes.

What is the writing process like for Black Sun?

Oh man. I don't know where to start. First of all, Tyler writes more music than any human I've ever met. He is a walking riff factory. He's constantly sending me song ideas or guitar parts to work with. Tyler and Logan both have a knack for writing profound guitar parts, which I struggle to do. I enjoy taking their initial idea and helping develop it into a song. I try to write vocal parts while guitars are being written. It feels more organic and honest that way. 

We cut more songs than we keep. I'd say we've scrapped at least 30 viable songs to this point. We try to filter out all the bullshit before we bring songs to Zack. When we are in a rut, or stuck on something, he has a way of taking an okay song and make it a banger. He is definitely the filter we run all of our ideas through. The voice of reason in our band, so to speak. It's actually nice not having one primary songwriter. We all pull our own weight, and work our ass off to make it work. Everyone brings a unique element to our sound, and it definitely takes all four of us to get song to where we want it.

Some of you guys have been in other bands.  Does that experience play a role in how you guys approach Black Sun?

Absolutely. All of us have played in other bands, with extremely talented people. I think as we've grown older, we all got to a point where we wanted to make things as simple as possible. To cut the bullshit and make music we enjoy, regardless of what anyone else thinks of it. We spend very little energy concerning ourselves with who wrote what, how it will be received, or being distracted by a new wave or trend that comes and goes. 


You are currently active duty military.  Has this affected Black Sun?  If so, how?

That has been a huge challenge for us. I think they would agree that the year I was deployed was the most difficult time for us as a band. I left on a few days notice, and it threw a huge wrench in our plans. We were in the studio when I received the call telling me I fly out in 3 days. I had just finished tracking bass, and had to wait until I came back to lay down vocals for the EP. The distance and time created some uncertainty and tension, at least in my mind. But the guys were understanding and supportive. I'm insanely thankful for them. Balancing fatherhood, military life, and music is challenging. I'm sure you can relate, as a father and former military member. It's hard work to keep a band active, even without those additional factors. My wife is the most supportive and selfless person I know. She does so much to enable me to do what I love. 


What are some future plans for Black Sun?

We just finished tracking our next album. Now we wait! The goal is to release early this summer, but there's no solid date yet. 


What are some other bands we should check out? 

I'm really upset right now, because my favorite Arizona band called it quits (RIP SUNSHOWER). It's a shame that band didn't receive the attention they deserve. Goldengoat is doing cool things, super talented guys. I'm a big fan of their music. Also check out our friends in Woundvac, Cloakroom, Silver Snakes and UGLY.


Is there anything else you would like to add?

Thank you to Culture Thrash for reaching out to us and asking us to be a part of this!


Huge thanks to Chris and BLACK SUN for making great music and taking the time to answer some questions.   Here are some of their pages you need peep:  
FACEBOOK
MERCH
SPOTIFY
TWITTER
BANDCAMP




Wednesday, February 8, 2017

EIGHTEEN FUCKING VISIONS

18Visions is BACK???

Earlier today a literal metalcore BOMB was dropped on the internet.  A couple members of the pioneering metalcore turned rock band 18 VISIONS posted this on social media:



Based on this announcement, one can assume new songs will be released in the near future.  Hopefully this means shows as well!!  We are really hoping they go back to their heavier roots with these new tunes, but are happy just to know they are making music again.

For those who don't know, 18 Visions formed in the late 90's and had a TREMENDOUS impact on heavy music.  They eventually broke up in the mid-2000's but were way ahead of their time in both sound and aesthetic.  They never made the same record twice and oftentimes polarized listeners with their records.  In fact, they are largely responsible for "fashion oriented" heavy bands becoming popular.  Beyond that, their brutal mix of metal, hardcore, and rock influenced legions of bands across the musical spectrum.  Chances are if you are newer to heavy music, a gateway band that you like was either influenced by or friends with 18 Visions.  Anyways, here are some 18 Visions songs that will serve as a great introduction to a great band.  These are also some of our favorites.  For those already familiar with 18 Visions, let the nostalgia flow.  What are YOUR favorite 18v songs?



Song: "She Looks Good in Velvet"
Record: Until the Ink Runs Out



Song: "One Hell of a Prizefighter"
Record: Vanity



Song: "Tower of Snakes"
Record: Obsession



Song: "Motionless and White"
Record: Best of




Song: "Victim"
Record: Self Titled






Monday, February 6, 2017

Band Spotlight - MAL INTENT




When I think of current Chicago hardcore bands, the first to come to mind is MAL INTENT.  They recently dropped a record called "Cycles of Terror" and it absolutely SSSSMMMAAAAASSSSHHHHHHEEEESSSSS.  This band has been putting in some serious work and have recently played shows with the likes of Expire, Bracewar, Weekend Nachos, and more.  They are one of the best newer bands I've listened to and the attention they have garnered so far is extremely well deserved.  With that in mind, I reached out to their vocalist Jon Ortiz and he kindly answered some questions for Culture Thrash.  Check it out:





When did the idea for Mal Intent come about?  

I had been out of a band for a few months after leaving Warhound and I was starting to lose my mind haha I really missed playing and making music. I knew what I wanted to do with this band and it was solely to just play with friends and all in all just have fun with it. 



When did Mal Intent form and who is in the lineup? 

Mal Intent formed back in mid 2013. Its myself on the mic, Pedro on drums, Kyle on guitar, Serg on guitar and Anchit on Bass. 


How long did it take for you guys to starting playing shows? 

Honestly not long at all haha we only had 3 songs written and my good friend G from Bodybag hit us up to play with Nasty. I texted the guys and was like you dudes want to do this show? and everyone was down right away. Crazy ass first show lol the lineup was Nasty, CDC, No Zodiac (That Population Control shit!), I.E.D and Silverhammer. 



When I first heard Mal Intent, I thought you guys sounded like a mix of Weekend Nachos, Stout, and Taste The Steel. After more listens I feel like that description might be a bit limiting. You guys have much more going on musically. What are some of the musical and lyrical influences for Mal Intent? 

I love all those bands so to hear that is fucking sick! Musically were all over the place honestly and thats why I think the band sounds the way it does. Musically we all listen to different shit from Migos to Built Upon Frustration to Pig Destroyer to Sabbath. Lyrically for me i always loved the rawness from Product of Waste (RIP T) he had it all in my opinion, that band was perfect. Taste The Steel def influenced the lyical content and delivery on Cycles Of Terror. I've been listening to Taste The Steel for the last 6 maybe 7 years and I feel they're completely underrated. They really make you think and question what's going on in the world and not be afraid to let people know what you think about the government. Seeing them 3 times last year made me appreciate that band more and more.  Outside of music just everyday shit, working at a job that you know is a dead end, scraping by every step of the way just to make ends meet, shitty people we see and know exist, the government and the world. I don't believe you should write about shit you haven't experienced or aren't passionate about. 



Some of you guys have had other bands. Does the experience in those other bands play a role in how you approach Mal Intent? 

 Absolutely, we don't intend to take this band on the road to much. Were just 5 close friends who want to make music. If people like what were doing and we can make it out to different places once in a while, were all for that. 



Does being from Chicago affect your band? How so? 

 I think so. Theres alot of history in the city of Chicago with not only the Hardcore scene but on a more different scale. Chicago is beautiful but its also fucked up in terms of violence. Innocent people are murdered it seems like almost everyday and the way the media feeds it to the people is making it more into a desensitizing factor for people not directly involved or not from the city. I'm not a hard dude and I don't present myself that way, I acknowledge whats going on in this city and that shit isnt cool. Some days you dont even know if youre going to make it home from your job or school because shit can happen at any moment. All of that goes into our songs. 


What does the future hold for Mal Intent? Any specific plans? 

 We got a little 4 day tiny mini tour to NY and back at toward the end of Feb. We plan on recording 2-3 new songs for a split in April and plan on realeasing another full length sometime this year. 



What are some other bands people should check out?  

Ok, first and fucking foremost The Killer (if you do not know this band, you're fucking up hard), Bitter Thoughts, Bodybag, Detain, Inferno, Breaking Wheel, Purgatory, No Victory, Penitentiary, Blood In Blood Out, Infamy,  Numb, Silverhammer, Queensway, Invoke, Vatican, Judiciary, Human Garbage, Upright, Kharma, Absent Mind, Counterweight, Sarin, Laid 2 Rest, Shame, Division of Mind, Trail Of Lies, Of Feather and Bone, Easy Money, Seperated, Life After Death, No Reason To Live, Vein, Lifeless, Time Walk, Enemy Mind, Inferno, Creepout, Detriment, Heavens Die and THREE KNEE FUCKING DEEP. Also want to add one of the heaviest bands of all time, Primitive Man! I have to end it there because I will seriously keep listing bands haha 



Is there anything else you would like to plug? 

When it comes to your scene, the people in your life, your beliefs... stick close to them. Do whatever you can to make positive impacts where ever you go because you only have one life and a very limited time here so do the most.  

Thank you to you and Culture Thrash for asking me to be apart of this!

AND shout out to CHICAGO, INDIANA and MILWAUKEE HARDCORE. 







Here's some rad live footage:




Sunday, January 15, 2017

Record Review: CODE ORANGE - "FOREVER"



Artist: Code Orange
Title: Forever
Label: Roadrunner
Release Date: 1/13/17

"Code Orange is FOREVER!" screams Jami Morgan during the title track on Code Orange's newest full length.  There aren't many current bands that can make such a bold claim and be taken seriously.  However, Code Orange has absolutely no problem musically backing up that line and as such, Forever serves as an appropriate album title.  

Much like their 2014 offering I am King, Forever is a musical "fuck you" to complacency and the copy cat culture that plagues music.  Code Orange frequently assaults the listener with a barrage of distorted guitars, pummeling drums, vicious screams, abrupt transitions, and haunting electronics.  While these elements make up the core of "Forever", there are other surprises that seemingly come out of left field but fit quite nicely in the sequencing of the record.  Tracks like "Bleeding In The Blur" and "Ugly" provide moments of respite from the heavier songs and are definitely album highlights.  I cannot emphasize enough how important these songs are to the overall listening experience of Forever.  Oftentimes, metal/hardcore records offer very little in terms of dynamics and simply bludgeon the listener from beginning to end.  While some bands can execute this beautifully, most bands end up putting out records where all the songs sort of blend together.  With that in mind, the variety offered on Forever ends up making the record sound that much more punishing and most importantly, MEMORABLE.  This results in a complete album experience that warrants multiple listens..

One of the defining characteristics of Code Orange is their ability to avoid being pigeonholed.  Forever continues this trend by mixing a variety of influences into their tracks.  If I were to describe the heavy songs on this record to a seasoned listener of underground music, I would say they sound like Unit 731, Blood Has Been Shed, Turmoil, Disembodied, and KMFDM beating the shit out of each other while tripping on acid.  I think it's safe to say that most people getting exposed to Code Orange at this point have never listened to those bands and that's the beauty of this record.  It quite possibly could serve as a gateway to some of the classic heavy bands that most people haven't heard.  I can't help but think that Roadrunner's backing will get this record in the hands of new listeners.  With that being said, this record is NOT for everybody.  It's dark, polarizing, uncomfortable, and will probably be too overbearing for the average music fan.

Terms like "game changer" and "genre defying" have been tossed around in regards to this record and I honestly agree.  The reach of  Roadrunner Records coupled with Code Orange's existing popularity in underground music totally cement these claims.  In fact, there is even a metalcore "revival" happening in hardcore and I believe Code Orange is largely (unintentionally) responsible for this.  After they dropped I am King in 2014, tons of bands popped up out of nowhere featuring slam parts and chug chug wee wee riffs.  Coincidence?  I think not.  I firmly believe Forever will have a similar effect on underground music.  

VERDICT:  Code Orange took the musical blueprint they created on I am King and managed to improve upon it in a major way.  Forever sees the band coming into their own and cementing their place in heavy music.  This record is a must listen.  "Code Orange is Forever"


Top Tracks: "Bleeding In The Blur", "The New Reality", and "Forever"

To learn more go here:
http://codeorangetoth.com/